The Applied Improvisation Network

Spreading the Transforming Power of Improvisation

Dimitri Vorontzov
  • Male
  • New York, NY
  • United States
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Latest Activity

If you live, work, play in the tri-state area then come join us. Let's play together throughout the year and take NYC to Chicago in 2008!
April 13
Dimitri Vorontzov is now a member of The Applied Improvisation Network
April 6

Profile Information

Where do you live and work? (City)
New York
Professional Skills
advanced communication skills, acting, multimedia art
What is your main interest in this network?
Education, Networking
What kind of person are you?
24-7
What kinds of improv-related services are you involved in?
Teambuilding, Creativity, Innovation, Problem Solving, Communication, Conflict Resolution, Leadership, Life Skills, Character Development
Work Website
http://exprovise.com/
How did you hear about this network?
google

Dimitri Vorontzov's Blog

Dimitri Vorontzov

Acts of Violence, Victories and Defeats

(I published this post a few months ago under one of my stage names. I am reposting it now under my real name. Please don't be taken aback seeing a different author's name on the post you may have read before. D.V.)

Any climax is either an act of violence (physical, as in Othello, or psychological, as in A Doll's House) or a moment of triumph (as in The Winter's Tale), or a defeat (as in Hedda Gabler), or sometimes even to or all three of those things simultaneously.

Here's a collection… Continue

Posted on March 10, 2009 at 7:30am —

Dimitri Vorontzov

Bad News, Good News

(I published this post a few months ago under one of my stage names. I am reposting it now under my real name. Please don't be taken aback seeing a different author's name on the post you may have read before. D.V.)

Peripeteia -- reversal -- is a crucial element of dramatic storytelling.

Actor who can improvise a peripeteia is armed with a powerful acting weapon.

"Bad News, Good News" is a simple exercise that helps students to learn to improvise dramatic reversals.

Player 1: I have a… Continue

Posted on March 1, 2009 at 7:30am —

Dimitri Vorontzov

Confrontations

(I published this post a few months ago under one of my stage names. I am reposting it now under my real name. Please don't be taken aback seeing a different author's name on the post you may have read before. D.V.)

Confrontation is yet another form of typical climax. It can work independently or be followed by an "act of violence", "victory" or "defeat". (See my earlier blog post on these topics.)

Practicing various forms of confrontations, ranging from American versus Chinese ping-pon… Continue

Posted on February 23, 2009 at 7:30am —

Dimitri Vorontzov

Playing Eyeball

(I published this post a few months ago under one of my stage names. I am reposting it now under my real name. Please don't be taken aback seeing a different author's name on the post you may have read before. D.V.)

Eye contact is one of the most important factors in making the improvised action real. When actors on stage focus their eyes on each other, audience is drawn into the dramatic story.

Mastery of eye contact is the sign of a proficient actor.

The "Eyeball" exercise can help b… Continue

Posted on February 21, 2009 at 7:30am —

Dimitri Vorontzov

Two Topics

(I published this post a few months ago under one of my stage names. I am reposting it now under my real name. Please don't be taken aback seeing a different author's name on the post you may have read before. D.V.)

Common language is the obligatory requirement for communication.

Common (or at least "fuzzy common") interpretation of the words in the common language is another obligatory requirement, often overlooked.

People often fail to communicate even when they are speaking the same… Continue

Posted on February 15, 2009 at 7:30am —

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