The Applied Improvisation Network

Spreading the Transforming Power of Improvisation

Paul Levy
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  • Brighton
  • United Kingdom
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on Tuesday
Hi Jean-Christophe I'd be very wary of this statement: "make the group realize the power of Yes" It feels a bit too much like facipulation. Also the use of "yes and" which often is the basis of impro group activity (where we try not to block eac…
on Tuesday
Paul Levy added a blog post
Many improvisation games involve a lot of movement. This fun exercise explores stillness and also interpretation and meaning. It's idea for a group activity where you'd like to create a more still, reflective mood, without loss of smiles and laught…
on Monday
A place to share the philosophy and fundamental ideas of Improvisation
December 3
Paul Levy added a blog post
Another "essential" exercises that explores a very simple element of moment-to-moment experience. This is best done in small groups of 3-4. Sit in a close circle and hold hands around the circle, leaning as comfortably as possible in to the circle…
December 3
Here's a more controversial view to add to the melting pot. Should we also be looking for ways to remove creativity from the work place? Is creativity always a good thing. There's certainly an inbuilt bias in the Applied Improv community in favour…
December 2
Paul Levy added a blog post
You might think the following exercise would work well with music or with a sound effects CD. I'd propose it works best without either. Create a comfortable space for some contact work. A group forms in the space and begins in stillness. The faci…
December 1
Paul Levy added 5 photos
November 27

Profile Information

Where do you live and work? (City)
Brighton, UK
Professional Skills
Organisational theatre director and writer, collusion breaker and facilitator
What is your main interest in this network?
Education, Social, Finding Partnerships, Improv Resources
What kind of person are you?
24-7
What kinds of improv-related services are you involved in?
Creativity, Innovation, Leadership, Change Management, Communcation
Any niche industries, skills, etc?
collusion breaking, involutionist, technosopher
Share a favorite 'improv epiphany'
The use of improvised film in theatre work
More about you: (Short Bio or any other details you'd like people to know)
I sometimes refer to our work as organisational exorcism, we use organisational theatre as an approach to creating critical incidents and collusion breaking through the mirroring of drama. We also use improvisation within scripted theatre and film work in organisational artistry.

I've just located all my created activities and reflections on Applied Improvisation here:
http://rationalmadness.wordpress.com/about/cats3000-applied-improvi...
I need help with...
Further exploring how improvisation can be used in theatre work in organisational settings.
Work Website
http://www.rationalmadness.com
Blog or other personal website
http://www.cats3000.net
Skype Name (Skype.com is the most popular free internet audio/text chat and more)
rationalmadness
Other contact info (Your choice for phone, email, facebook, myspace, etc.)
winneralan@hotmail.com
How did you hear about this network?
friend told me!

Inventing Improvisation

I'm keen to take Improvisation beyond the narrow confines of "Impro!" and "Improv", exploring the concept of improvisation in practice. I'm interested in the essence of the improvisational process, the improvisation moment, and authentic spontaneity. I am an inventor of new improvisation activities and exercises and keen to link up with fellow inventors and creators.

You can find my Applied Improvisation page here where you can download and read articles, reflections, ideas, activities and exercises I have created over the years.

Paul Levy's Photos

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Paul Levy's Blog

Paul Levy

Portrait Gallery - a fun exercise exploring interpretation and meaning

Many improvisation games involve a lot of movement. This fun exercise explores stillness and also interpretation and meaning.

It's idea for a group activity where you'd like to create a more still, reflective mood, without loss of smiles and laughter, though this activity can also become quite intense and serious as well.

Six volunteers (this can be varied) create a portrait gallery. This is done with each one representing a static portrait painting. The facilitatator countsw down from five an… Continue

Posted on December 7, 2009 at 2:00am —

Paul Levy

Tender breath, tender breathing - an exercise

Another "essential" exercise that explores a very simple element of moment-to-moment experience.

This is best done in small groups of 3-4.

Sit in a close circle and hold hands around the circle, leaning as comfortably as possible in to the circle, towards each other. If possible, even foreheads can touch, as long as this doesn't create neck or back tension for anyone.

And that's it! For the next ten minutes, in silence, simple be aware of each others' breathing in close proximity. Try not to… Continue

Posted on December 3, 2009 at 2:00am —

Paul Levy

Rain - a wonderful, simple, contact improvisation

You might think the following exercise would work well with music or with a sound effects CD. I'd propose it works best without either.

Create a comfortable space for some contact work.

A group forms in the space and begins in stillness.

The facilitator speaks the following words:

"Light, gentle rain, hardly noticeable, a little pitter patter"

The improvisation begins, inspired by a shared sense of being light, gentle rain - drops touching the ground, touching trees, people can become the r… Continue

Posted on December 1, 2009 at 7:00am —

Paul Levy

Into the Woods - An Encounter Improvisation Exercise

This is an activity for exploring the dynamics of two people encountering each other. It allows exploration of:

- pair dynamics
- personal space and proximity
- connection and disconnection
- power and status
- eye contact
- interpersonal communication
- competition and collaboration
and many more themes!


It works best with a group of about 8-10 people though this can be varied.

The Process

Two people enter a wood, encounter each other. Six people or more stand still in the spa… Continue

Posted on November 20, 2009 at 3:30pm —

Paul Levy

Crystal Ball - an exercise in present and future improvisation

This is a lovely game for exploring the role of "visioning" and "futuring" in improvisation. When is knowing or deciding the future a help or a hindrance?

Start with a group of five, with everyone else watching.

Decide a scene to be played out. For example, a picnic.

Choose someone to be crystal ball gazer (can be fun if you play this with a real crystal ball - a football or goldfish bowl will do!

At any point during the scene, a member of the audience can shout "Crystal ball!" at which poin… Continue

Posted on November 19, 2009 at 10:30am —

Comment Wall (2 comments)

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At 7:21am on September 30, 2008, Belina Raffy said…
Hi Paul,
Just wanted to say how inspirational we found your play 'Recycled Dreams'. It captures so many crucial, REAL dynamics in organisations that typical sustainability movements kick up. Fantastic!!!
I'm telling lots of people about it. Fingers crossed - even more organisations will run it in-house. See you on the 13th.

Best wishes,
Belina
At 2:57pm on November 27, 2007, Paul Levy said…
I wonder what you think of the view that the use of role play and "forum theatre" (where issues can be addressed through a mix of performance, reflection, questioning, directing and re-directing business problems and situations) usually ends up creating a collusion of niceness.

The day can be engaging and real for trainees and workshop participants. Yet ultimately they become compliant, simply "behaving themselves" and serving more the needs of the facilitator to "run the session" than really serving their own and their organisation's needs.

Does groupthink arise? Do participants learn that, if they respond in certain ways, they are rewarded with smiles and encouragement. If they challenge too much or make things difficult, they tend to be labelled asd trouble makers and singled out through selective discussion and questioning?

If the forum theatre scripts are to pre-planned, too contrived, too "off the shelf", there is a danger that the resulting exploration of "issues" will be pushed along pre-existing "rails of meaning", rather than enabling emergent learning.

What do you think?
 
 

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