During my stay in Norway, I was finally able to articulate my thoughts on the difficulty I have with Yes and...
What I am about to discuss, comes not from any condescension or blind loyalty to Spolin’s work, but a considered opinion based on all my experiences in the world of Improvisation as teacher and student.
I welcome opinions and comments as I am thinking of publishing this as an article.
The trouble with Yes, and…“Information is a very weak form of communication” - Spolin…Continue
A bit of an improveverywhere gimmick me and a friend of mine initiated. When you're inspired by it, please join and spread the word! We'd love to have at least a million participants worldwide. What it is:
On the 20th of January 2009 America and the world will change. So why don’t you? Change.... into your pyjamas!
Are you Pro-Peac… Continue
Inspired by today's demo by Bjørn Alterhhaug and John Pål Inderberg, I had to think about this awesome Youtube video where Oscar Peterson is totally taking off in an improvisation. Check out the reactions of the two baseplayers...
Continue
The mother of Improv's son, Paul Sills, who did much to make improv a force in the theater as its own artform, died June 1st. He was 80.
I'm here in Norway at a confence that would not even be possible were it not for this man. He shaped the first group of professional improvisers and the careers of many important figures in modern entertainment. Mike Nichols, Alan Arkin, Elaine May, Richard Libertini, Melinda Dillon, and Second City in general.
I knew Paul to be like his mother in one importa… Continue
I just spent a wonderful weekend with four improvisers from Oslo. It was my great pleasure to lead two full day workshops with them. Two men and two women, Karre,Gunnar, Annethe and Ingunn.
They are professional actors, working in Oslo and comprise 3/4 of an imrprov troupe that perform reglularly. Although they knew the book 'Improvisation for the Theater' by Viola Spolin, they had not played many of the games.
Because there were only four, I was able to introduce them to over 28 games, many th… Continue
I have arrived in Trondheim to conduct several workshops with Sven Veine with Impro Oslo and others.
the converstation in the first hours are stimulating. Talking about many teachers and their styles. Keith Johnstone, Michael Gellman, and of course, Paul Sills and Viola Spolin.
I will endeavor to enter any new thoughts as they come up in conversation.
Sven is a passionate student of all forms of improv. Bravo to him.
Gary
Norway may 30 Continue
Well, we had our first open AIN conf call today and it was a blast. There were five of us total (Missy Whitis, Sue Walden, Roy Kaufman, Matt Weinstein and myself.)
After some humorous technical difficulties (first time using this technology, still not sure whether we'll use this or TalkShoe.com...I need to think about it), we discussed:
For a thrilling new event calendar publishing show and workshop dates in international improv check the new platform www.forum-improvisation.net - you are welcome to register yourself and add data.
forum improvisation is developing as an international platform for topics, positions and history of contemporary improvisational theatre. This forum will present - beyond a growing calendar for international improv activities - extraordinary and challe… Continue
Posted by Guido Roerick on April 8, 2008 at 8:30pm —
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I believe leadership is a process of conducting the music of the future in a way that it begins to play into the present (creating the improvisaitonal moment) and then transforming the past.
Leadership is essentially a present-located process of time travel. The future lies behind us, the past ahead, in the sense that we can transform our history, in a way that changes the present. When a leader INSPIRES she challenges the process of history, inspiring the historical process to re-align itself… Continue
Posted by Paul Levy on March 28, 2008 at 2:30pm —
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Jack Martin Leith and I had a chat once about icebreakers. He (also a facilitator) said he didn't like the word "ice-breaker" as it assumes "ice" is in the room right from the start. I agree.
The term "energiser" might be better, but even that assumes that energy is low and somehow needs to be lifted. Energy might need to be changed in some way but is it always low at the start? I think, quite the opposite.
So, what is that first, fifteen minute activity? Is it an "orienter"? or an "opener"?… Continue
Well the Today Show aired their story about our workshop today. Overall, it was a good story (especially when you compare it to the stuff before and after.) It gives folks both a taste of our facilitation style, and introduces the topic of 'sustainable technology' enough to wet viewer's appetites (I hope).
I was a little disappointed that they didn't mention our specific business names, but will still be a great clip to refer folks to in the future. I'll try and embed it here...Nope didn't work… Continue
Hey there everyone! I am interested in spreading the word about IMPROVSTOCK 2008! Keith Johnstone is coming to Chattanooga for a seven day intensive workshop hosted by Skwalking Heads Productions and the Chattanooga Center for Creative Arts March 31st through April 6th. This is an amazing opportunity for us here and we hope you might be able to join us and fellow improvisers from Chicago, Atlanta, Columbus, (and more!) Chattanooga Tennessee is 2 hours North of Atlanta, 2 hours from Nashville TN,… Continue
My awareness includes a universe wherein there is an intangible rate of exchange between people. The phrase I've coined mentally for this exchange is Alternate Currency. Alternate Currency is not of the material world and as such defies
being stuffed into a box and or being quantified.
My artistic friends live, work and play, largely in this universe propelled by alternate
currency. My artistic friends honor the intrinsic…
I have looked to the groups of central and eastern Europe and found too much of our own theatre wanting. For theirs is a Theatre of the Heart, a drama of the soul, s stage of tears and laughter alike, of hate, love, loss and renewal. Of blood and fire. Of the family, the clan, the ancestors, of the madness of change, of loyalty and loss, of revolution, of being caged and breaking free, of soul-touch and conflict.
The hardest part is the easiest part: stepping into the moment before being in the moment. In that blink of an eye before the now, what are we doing? If we are plotting the next blink, planning the instant to follow, are we improvising at all?
Stepping over the precipice and finding we do no fall, held in the mid-air of the emerging now, by our own willed playfulness.
In that moment, the whole of reality becomes renewed…
The "Who blew the wind?" phenomenon crops up often in inter-personal conflict situations where both parties are convinced that the other party "started it" and that all they are now doing is reacting innocently to an attack. It often crops up in de-briefs from impro'd organisational theatre work exploring conflict.
Over time the audit trail back to the original trigger (which may also be in their heads rather an any explicit de…
It's the IAL and I've just delivered a session on using Improv for teambuilding. I enjoyed sharing our message with others and they were as accepting of the strengths and transformational power of our work as we could hope for.
And then there was the party where during the band breaks I got some people to play some games for everyone.
Now I know that people are more interested in when our own conference will be and I…
We worked with the theme of distraction, on stage and in life. Each actor chose a short monologue, which they performed in front of the group who sat in a traditional audience seating. At the end of the performance the actor reflected on any distractions that had helped or hinder their performance. Distractions seemed to take them out of character, even if only for a moment, but it was enough to dilute the performance and some members of the audience could immediately tell. Distracti…
A day of further work on very simple improvisation. Three chairs placed upon the stage. Three actors. One hour.
The following rules: to allow reaction to occur rather than pro-action. Yet of course someone has to make a move yet no one quite knws who - the reaction emerges quickly.
Three rules to the improvisation (apart from no proactivity) - actors may look at each other - actors may move across the stage - actors may stand or sit No other action or reaction… Continue
Posted by Paul Levy on January 16, 2008 at 6:30pm —
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Hello to all Improvisers, and designers of improvisation, and especially folks who design improvs to arrive at designs.
That's sort of how I might describe my Chormmunity work. The goal is to arrive at a collaboratively designed piece, a Movement Text, but to involve lots of multi-linking ways of knowing along the way, mostly improvisationally. I, as facilitator/leader of the workshop, set sc… Continue
Posted by Paul Loper on January 9, 2008 at 4:31pm —
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OK, this sounds silly to ask, improv in Chicago? But I'm looking for an intro level class that is really about creating a safe environment, playing together, and supporting each other, more than just being fast and funny.
I've got a friend in Chicago who has been out of the country for a long time and is having a hard time fitting back in. Thought a chance to play with people might help his re-entry.
Suggestions? Thanks, all! Continue
idea for the using the term "Critical Incident" came to me during a performance of Re-Inventing the Cheese, our sketch show based on the world of work. I was working on a monologue with one of our actors, Augustine Flint-Hartle. The monologue was all about a well-intentioned but misguided manager who tries to get everyone “involved” in a work based conference only to discover that all of her plans have come to nothing, and nobody has turned up! The way…
The classic "right-brain", "left-brain" model of creativity is really just an invention of "left-brain thinking". Most "right-brain" thinking is really just an intellectual version of "left brain" thinking, trying to talk itself into being more creative. However it remains locked in the left brain.
I have a dilemma. Last night while reading the book, Impro, I came
across an insightful comment that I highlighted, "The improvisor (story
teller) has to be like a man walking backward. He sees where he has
been, but he pays no attention to the future. His story can take him
anywhere, but he must still 'balance' it, and give it shape, by
remembering incidents that have been shelved and reincorporating them."
Keith Johnstone's point is that great stories have interrelated ideas,
connected… Continue
In the heart of the Ashdown Forest stands one of the oldest Oak Trees in England. Here, Winter settles with its full force, a moon-white frost lying at dawn until the November sun is high over the Kent horizon, teasing its way through the thick canopy of trees, bereft of leaves in the late Autumn cold.
The Oak tree is home to several families of grey squirrels who burrow through crackling leaves and cold, damp moss hillocks, and mazes of overgrown roots.
Stand or sit facing a partner and hold out your hands horizontally flat, your hands resting above or below your partner's, not touching.
Keep total eye contact throughout the exercise. No talking, though it might be alright to talk further into the exercise (run it at least for 15 minutes and as long as you want/can).
Picking up a monologue and launching straight into it on stage; We took pieces from the writings of Vaclav Havel.
Without the crutch of preparation, each of us attempted, on a first reading, to throw ourselves utterly into the piece and to take our cue from the words on the page, without imposing preparation onto it.
Challenging for those of us who always like to know in advance what the next few minutes are to be !
Financial controllers learning circus skills. Quality managers learning to juggle. Sales agents sculpting their personal blockages. Project team leaders ridding themselves or hidden anger by reciting Shakespeare. You might think I am making it all up. You might believe I am joking when I tell you that the emerging industry of arts based training and development is worth tens perhaps hundreds of millions of "bottom line" pounds. Well, I am mad but north-north west, but when the wind is strat…
One of my improv teachers taught us that while waiting to be part of an improv scene, we all must stand with our weight forward, on the balls of our feet, ready for our opportunity to jump in. If we were to stand flat footed, or worse with the weight on our heels, we would be slow to respond to opportunities to enter a scene. Hyper awareness is a necessary reality for good improvisors and I think in life too.
As I consider my life and my work with organizations as an applied improv prac… Continue
Over fifteen years of training and development work in industry and organisations, I have been continually shocked at home many organisations talk of courses and workshops that simply didn’t deliver. I always remember a survey by A.T.Kearney way back in 1992 that identified all around the world, a general disappointment that change programmes such as Total Quality Management (TQM) were running out of steam after twelve months or simply not delivering the expected benefits.
I am interested in the word "convincing" and its use in theatre performance. What is a "convincing" perrformance?
Is it really the role of actors to "convince" an audience that they are "real"? The word, to me, seems a little like "Persuasion", as if the audience (and even the actor) begin in a state of reluctance, even cynicism about "believing" (or suspending disbelief) and that the role of the actor is to persuade the audience to "believe", to convince them that the production is not… Continue
Are we change agents? Are we change facilitators? Are we terrorists, preachers or missionaries? Are we teachers, trainers, or artists finding new channels for our work? Are we all of these or none of these?
Are we arrogant to think we can or should change others with our work? Are we cowards if we avoid that call to change?…
It's fun when a 'maybe' turns into an actuality. Many of you know me only from my developing this geeky site, now you'll see my other side when it comes to technology...
Last week I received a call from a freelance journalist who usually writes for the LA Times (Stuart Glascock). He had somehow come across one of ou…Continue
Hello to all of my AIN friends! I must admit that I am new to social networking, and in fact, this is my very first blog ever! :-)
When I received requests from several AIN folks to become their "friend" on this site after creating my profile, I felt honored, and I dutifully responded. I have also invited several people to become my "friends" on the site. Then I looked at all of the faces of our wonderful group, and I thought to myself, aren't we all "friends?" I began to wonder if rec…
I'm member number 53. I'm prime!
Just a note to say how amazing this site is and how fun it has been (and a bit nerve wracking) to move in. Like moving in to a new apartment, or a new purse.
Happy Thanksgiving to all of you south of the border. We'll toast you northerners!
xoxox. Caitlin Continue
How do you get where you want to go? Well first of all you have to figure out where you want to go. Not always as easy as it may seem on first blush. But let’s say for starters that it’s okay to go for the big stuff right off the bat. I want to be rich. I want to be happy. I want a great relationship. I want to have a fulfilling job. And some of this stuff is interconnected clearly.
But if that’s what you want, then that’s what you want. And y…Continue
Now you have a road map in hand that shows you how to get where you want to go.
So then do you look at this map and say, “I am not going to waver from this route till I get there.” Well you have to stay focused and keep you eye on the next stop on your journey. But here is a key element to following any road map. The journey to one stop along the way sometimes changes your perspective a… Continue
Posted by Robin McCulloch on November 21, 2007 at 1:05pm —
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"One, one, one." Mother Teresa answered when asked how she helped so many people in Calcutta. "I begin, you begin, one, one, one."
I begin this blog one word at a time. I have nothing profound to say, no insightful comment, no incredible insight, and that is refreshing and freeing to me. The pressure to be creative is not there. Instead I live into the reality that Keith Johnstone would say to his actors, "Be boring! Be average!" So here I am, an average guy with an average blog with a… Continue
I get the impression that many of us are single person entities or small businesses. As such I think it can make approaching large corporations more intimidating because you have to start answering all the "how many people can you handle" or "are you able to handle a project of this size" questions.
So I 'm thinking that what we have here is the possibility of thinking of AIN as an extension of our businesses. And I realize that in many ways that is what it was intended to be. I'm eith…
After a year off from attending the AIN conference, I came away from Banff experiencing a varied canvas of impressionistic thoughts and feelings – reconnection, engagement, involvement, excitement, enervation, second winds, expansiveness tempered by occasional insularity, a continual sense of being present at the creation (is improv anything less?). After three days of basking in the energy and spirit of the AIN community, I returned to Ohio inspired, reju…
I just came across an Abraham Maslow page. I found this:
Peak experiences
"Feelings of limitless horizons opening up to the vision, the feeling of being simultaneously more powerful and also more helpless than one ever was before, the feeling of ecstacy and wonder and awe, the loss
of placement in time and space with, finally, the conviction that something
extremely important and valuable had happened, so that the subject was
to some extent transformed and strengthened…
I've just read Dave Snowden's summary about managing complex problems. Dave is one of those guys who thinks very hard about complexity. In his thinkerly way, he comes to similar conclusions about it as Improv types. He also offers some useful distinctions between things that are complex and things that are simple, complicated or chaotic.
All 3 boys are asleep ... my wife is "out on the town" with some others local mums ... Viv has just invited me to this Applied Improv Network! And then I receive a message from Paul Z Jackson (welcoming me) after I used his Solution Focus stuff at a workshop yesterday. Spooky stuff.
Anyway, hello to you all ... hope the recent conference was enoyable ... glad to feel connected to a community and a topic for which I share some real passion :-)
I've never experienced a social web site before. The entry in to it is so unusual and scary, in a sophomoric way. What a head game! I ask someone to "be my friend", and then wait to see whether they said yes or no? I thought I was far past this stage. I would never have done it in middle school. And frankly, where I went to school it would have been social suicide. Better to have no friends than to break down and ask someone such a tragic, vulnerable question. Aloof is the only way to go. Yet…
I've already created a blog: Improvising on Purpose:
Stories, Strategies & Insights about using "Improvisational Thinking" onstage, offstage and all moments in between.
What I really want to do is to write and process my experience at my first AIN conference in Banff. However, I have soooo much going on and so much to digest, that I think it will have to wait until later.…
I'm not sure if anyone else has come up against this but I imagine you have at some level. I am constantly amazed at the number of times I have finished a workshop and someone will come up to me and say, "This was really great but I could never do this at my work." Or the number of peopel who tell me they just had a training session on how to say "no"...like that ever seems to be a problem.
The conflict between being asked to foster support and creativity in teams and the way they are…
So aware, in this moment, sitting at my computer in my office - clock ticking, inbox bursting, to-do list taunting - how challenging/intriging/tearing it is to step back into the real world (whatever the hell that means) after a few days of AIN playfulness.
I want to cling to the friends, old and new, the laughter and the learning and the magic accepting that unless I'm here in the moment, I'm not living what we teach/preach/strive towards.
Ahhhhh - the paradox of it all.
k Continue
I have been in and out of focus with AIN since it started...or I think I have anyway, but I would like to continue to get more involved so this my first step in doing that. I'd like to thank those who've managed to build the organization into the lively and active group that it is today. And I also like to thank whoever is responsible for getting this website together. It's very intuitive and easy to navigate which is a plus for me because I get lost easy. Truth be told I kind of like getting…
(Cross posted with minor edits from my personal blog)
'm blogging this from Calgary Airport on my way home from Banff.
During Open Space at our conference, I started a conversation about the shadow side of improv, suggesting we sit in a circle and use a talking stick. The idea of the stick is to assure that only one person talks at a time - if you don't have the stick, you just listen.
I write this as the conference in Banff is now officially all over. The Europeans are on the other side of the room talking about the upcoming conference in Norway, and I am still on my laptop after Lief's intro to this terrific new website.
The conference was rich, layered, enlivening, learningful, and gratifyingly self-authored. The Open Space work continues to be a subtle shaper of how we "do" us. Some great feedback-gathering techniques were used (and learned) to play back to the g…